\”The good or bad in a pot must be defined by the user, selling self-selling, I don’t like it.\” Ni Jinrong has its own standards for the pot. In the eyes of this 70-year-old, the eyes of the 70-year-old man will always flash a vitality that does not match the age. \”I heard someone else said that your pot is doing well, I will come to the spirit of the Yixing Zisha Craft Factory since 1979, Ni Jinrong has made a 30-year teapot. \”The essence of the teapot is a utility. Due to the long history, the participation of the literati, the emperor will love, and the teapot has gradually evolved into a cultural carrier form.\”
almost all lifetime Ni Jinrong, who is dealing with the Zisha industry, has a unique fate with the teapot. \”The first thing I did, but I did the tool for a pot. In the early 1980s, I was still unlikely to do my pot, and the workers had a fixed production plan, and the workload did not have much income. Until 1985, with the demand for Yixing Zika pot with a large number of demand for Yixing Zikaot, Ni Jin Rong, who can rely on the improvement of life, gradually turn to the production of Zisha.
\”Workers want to do things, you must first sharpen them.\” Ni Jinrong felt that his experience was quite precious.
In 1990, Ni Jinruong, who officially started to contact the purple sand tea pot, quickly had its own direction. \”I like Linyi, I am also good at Linyi.\” Ni Jinrong has an unusual and loved on traditional skills and advanced works. \”Zisha pot has been thriving for 400 years, and the old ancestors left us too much treasure waiting for us to dig, and the innovation of the urgency and receivable is not advisable.\”
But the imitation of the flavor is not his own Things, this Ni Jinrong is more clear than anyone. \”When Linyi, I will always think about what kind of problem with this work, how can I do better. For example, the teapot style is more suitable for the spine, I design to install the spine of myself; I think this The tea juncture is not working well, I will change a better look. \”In Ni Jinlu, this is not only his style, but also the way he recognized. \”On the basis of old ancestors, we can’t forget the true foundation of the Zisha pot.\”
Whether it is a good work or a good skill, you can’t leave the time, the more you can bloom. Unique value.
Ni Jinrong’s work seems undoubtedly a masterpiece of being sought after. But in his body, he could not find a silk shelf. This civilian craftsmanship is unique, such as a bottle of old alcohol.
\”The mud is divided into segment mud, original mine Zhu mud, old Zhu mud … Zisha pot must be on the mud, and then otherwise, because the mud is the foundation of the teapot. Tool pay attention to 7 Tailing the saw, 8 knives. Amount, plug-in, flowering period … \”thirty-loaded pot experience deeply imprinted in Li Jinrong’s bones, talking about the purple sand pot.Zhen, even the gods in the eyes are even more sub-bright.
In the face of the hot weather in the current market, Ni Jinrong said, the moment is the period of purple sand pot.
\”I may only do only 20 pots in a year, or my friend is doing, or I will give my friends myself.\” In the hot environment, Ni Jinrong has his own cold thinking. \”The work is hope that everyone is recognized, not to sell high prices, if the thing made is completely turned into a tool that makes money,\”
is now the ancient years of the old year. Recalling the past, Ni Jinrong has never forgotten the experience of making a cover for a group of teapots that lack kettle in the 1990s. \”The person comes from Chaozhou to the home of Yixing Dingshan, please ask me, I have been burned three times in the first success, but the joy and accomplishment of the success in success, I thought about it. The pot has been done. \”
For the 30-year creation, Ni Jinrui uses one another piece of work to explain the understanding and adhere to traditional art. Today, Ni Jinrong still insists on working for two hours in the morning and worked for two hours in the afternoon. \”If it is not old, I actually want to do more every day.\” Ni Jinrong always talked about time.
For a long time, there is no way to inherit the craftsmanship. But now I look at more and more young people return home to pick up this traditional craft, he always is happy from the heart. \”It will definitely always do it, I still want to be a ratio with these young people.\”